We Fell Apart by E. Lockhart: A Reflection on Error and Dissatisfaction
When I first heard about We Fell Apart, the latest offering from E. Lockhart, I was both excited and trepidatious. Lockhart’s previous works, particularly We Were Liars and Family of Liars, have left a significant mark on the YA landscape, weaving intricate narratives that resonate deeply with readers. However, having emerged from my experiences with those books less than enamored, I approached this ARC with cautious optimism. Would this installment finally bridge the gap and win my heart? Unfortunately, my reading journey led me to a stark conclusion: it may be time for me to bid farewell to this series.
At its core, We Fell Apart intertwines themes of creativity, self-discovery, and the innocent pursuits of summer, dedicating itself to anyone fascinated by art and gaming. Initially, this concept resonated with me, and the book presents a vibrant celebration of imaginative expression—enticing for fans of these mediums. Yet, as I delved deeper, I realized that this lush backdrop demanded a level of engagement that I simply couldn’t muster.
As I navigated through the plot, I found my interest waning, largely due to the central elements of video games and painting. While I appreciate these art forms, immersing myself in a story where they take center stage proved challenging. Descriptions that might have captivated others felt more like a chore for me. It’s a unique experience to acknowledge the beauty of a book both inside and out; the stunning spray edges are genuinely eye-catching, yet they served as a poignant reminder of how strong exterior artistry can starkly contrast with the interior experience.
The characters, too, failed to leave a lasting impression on me. Matilda, our main character, is portrayed as self-absorbed and argumentative. I found myself frustrated by her dynamic with Meer, Brock, and Tatum—each one adding layers of annoyance rather than depth. For instance, Meer’s dependence and Brock’s indecisiveness left me yearning for more complexity in their relationships. Even Tatum, who could have functioned as a compelling foil, felt flat instead of engaging. This cycle of unlikability made it difficult for me to invest emotionally in their journey.
Lockhart’s prose continues to showcase her sharp narrative skills, with moments of eloquence and introspection. Still, the pacing felt off—an oscillation between periods of rapid dialogue and drawn-out descriptions that dulled the sense of urgency and engagement.
In reflection, We Fell Apart is undoubtedly an echo for those who relished the previous books in the series, yet it serves as a reminder that reader affinity can be astonishingly subjective. I’d argue that while my journey may have concluded in disappointment, readers who are enthralled by the intertwining of art and storytelling might still find profound connections within its pages.
In conclusion, while We Fell Apart may not resonate with me, it could very well bloom into something beautiful for those who appreciate the series’ essence. As we wave goodbye (or perhaps not) to this chapter, I personally hope to unearth new worlds that better align with my tastes and passions. Thank you to NetGalley and Delacorte Press for the opportunity to read this ARC—here’s to future literary adventures, wherever they might lead!
Discover more about We Fell Apart on GoodReads >>